Newman’s dramatic poem, “The Dream of Gerontius”, was set to music by Edward Elgar in 1900. This essay brings out the sympathy of mind and heart between poet and composer, and perhaps between them both and the listener of today, as well as the universality and depth of the human stake in some kind of personal and peopled life after death.

For the first time, the English-speaking world will have full access to the seminal writings of one of the most important sources of contemporary continental thought, Wilhelm Dilthey. This is the ground-laying first of six projected volumes which will allow Dilthey's influential writings on the philosophical understanding of history and culture to be more fully recognized, reexamined, and appropriated by those who are interested in the nineteenth-century roots of phenomenology, hermeneutics, structuralism, and critical theory.